I’m on a roll with the new music; after producing two new albums for the RPM Challenge, I’ve already started on another new project. Drenched in vintage ’60s and ’70s keyboard sounds (electric piano, organ, and the beloved Mellotron — no, I don’t really have a Mellotron, just this, which, come to think of it, is actually better, or at least more practical, than the original in almost every conceivable way), the album is going to be a tribute to the music of the Apollo years: 1961-1975. Heavy emphasis will be placed on 1969-1972, which also happen to be probably my favorite 4 years in music history. I’ve already got a couple of minutes of a first track (just backing tracks, with a scratch MIDI bass track, and a rough mix) laid down (which you can listen to below), and visual inspiration for the cover. Man, that old Apollo logo is sweet!

“Lunar Landing” version 0.1 • February 21, 2008 • 2:07

Wow, I can’t believe this is already the fourth year I’ve been doing this. I am truly an old fart because the years really are flying by now. That’s what happens when you’ve made 34 trips around the sun. I’m just scared to think what it’ll feel like when I’m 60.

Well enough angst. Let’s talk music. And there’s a lot to talk about: 2007 has, for my tastes at least, been an unparalleled year for new music. I would have a hard time identifying a year that’s produced more great music without going all the way back to 1971. (And I wasn’t around to experience that firsthand.) So, without further ado, here we go. Read more »

Even though I’ve never dropped acid, looking back on the children’s television I absorbed like a sponge in the late ’70s, I think I got enough of the experience. Case in point:

I’m lazily linking over to this on YouTube, but I actually watched it again for the first time in 30 years earlier today on the Sesame Street Old School 1974-1979 DVD set I just bought at Target. Which is not — at all — to say that I hadn’t thought of it countless times in those intervening 30 years. The “plastic house” and the freaky yo-yo dude in particular are burned eternally into my memory. Read more »

As I’ve mentioned previously, I recently purchased a USB turntable, so I can finally convert some of my more obscure (and generally, as it turns out, justifiably so) vinyl to digital. For the most part this consists of things such as the Hawaii Five-0 soundtrack (probably the most digitization-worthy piece in my collection) or the long-forgotten solo albums of members of Yes from 1975.

But as I was shuffling through my LPs tonight sorting them into three groups (definitely rip, maybe rip, and not a chance in hell), I came across a most curious item. It’s a thick cardboard mailer for a 7-inch record, sent from my grandfather to my grandmother back when he was in the army. The postmark is from Camp Gruber, Oklahoma, August 11, 1944. Read more »

It might just be my ears, but I believe you get The Dear Hunter, in particular, the track “Smiling Swine.”

Despite the obviousness of the multi-layered vocal harmonies, I had never before thought there might be a musical connection between Brian Wilson and Freddie Mercury, but there you go.

This is one of numerous “post-emo” (that’s my term, I think, but you can use it) bands that have gotten my attention over the past few years, starting with The Mars Volta and especially Coheed and Cambria, but more recently Circa Survice, Chiodos and these guys (who may actually be one guy; I’m not entirely sure). At any rate, I had never really given emo much attention, mainly because it seemed like something I was about 15 years too old to appreciate, and to be honest I still haven’t really checked out any straight-up emo (whatever that might be; I wouldn’t even know where to look), but the stuff these guys are doing is unmistakably marked with the same grandiose ambitions that were the cornerstone of the early ’70s prog rock I’ve been into since high school.

The Dear Hunter’s music, in particular, is quite intriguing with its incredibly varied instrumentation and song structures. There’s nothing else quite like it, except maybe Brian Wilson’s SMiLE. It’s definitely worth checking out.