This is my official submission for the RPM Holiday Challenge. Same idea, completely different recording. I didn’t quite like the direction my first version of “Greensleeves” was taking, so I started over from scratch, mixing up the rhythms a little (changing it from 6/8 to 9/8) and going for more of a straightforward jazz waltz vibe.

This recording features me on tenor sax, keyboards (electric piano and Mellotron), 5-string electric bass and drum programming.

Apologies to Miles Davis. You’ll know it when you hear it. And if not, so what?

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I’m keeping… something… alive. Here’s a rough, half-ish complete version of the latest track I’m working on for an EP I am hoping might be finished sometime before next year’s RPM Challenge. I’m tentatively calling the track “Keep It Alive,” mainly because one of the guitar tracks has a riff that rhythmically sounds kind of like “You gotta keep it alive.” Maybe I can come up with some words for it.

I know I’ve made it all sound incredibly compelling. But don’t take my persuasive word for it. Listen for yourself…

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Participating in the 2008 RPM Challenge was great for a lot of reasons. I got fired up to produce what I think is my best solo album so far. I learned about some great online resources for musicians like Kunaki and INDISTR. I met some cool people along the way.

But perhaps the most exciting thing to come of it is that I’ve discovered the Very Us Artists, a loose collective of musicians and visual artists who collaborate to produce a brand new, “various artists” (get it?) album every few months around a shared concept. There’s some tremendous talent involved, and it’s a wonderfully welcoming environment. The upshot of all of this is that I have recorded a track to be included on the next Very Us Artists album, The Future Is Now. It’s a very cool concept (which, of course, I had to twist in my own way), and I am really looking forward to seeing and hearing what my co-conspirators have come up with. Stay tuned for more!