I’m certainly no audiophile: although I can tell the difference in quality, the fact is I’m too cheap to pay for high-end equipment, and I know I’ll rarely have the time to immerse myself in the kind of sensory isolation necessary to really appreciate it anyway.

That said, I still want things to sound good, and I notice when they don’t. I’ve observed with frustration the ever-shrinking dynamic range on CDs over the last decade, as the mastering process has been refocused on the singular goal of making everything absolutely as LOUD as possible.

Rolling Stone has recently published an interesting article on the phenomenon. Hopefully this bit of negative publicity will mark the turning point where we return to quality. Read more »

We have a 3-year-old son, which means, inevitably, that our house is filled beyond capacity with Thomas the Tank Engine paraphernalia.

Over the year-plus of his ongoing obsession with the little blue “Really Useful Engineâ„¢,” we’ve learned that the owners of the Thomas trademark will spare every expense where quality is concerned. They know, 3-year-old boys don’t care about quality. They want it, even if it’s crap, and they’ll whine until their parents shell out $20 for 10 cents’ worth of Made-in-China plastic.

Read more »